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We the flyest to ever do this shit, lil' nigga, check 'the record (go check the record) Yeah, i got six different bitches, but they all on one of course (one of kind)Ĭall my side bitch up and get my main bitch, and she come record ('cord) I been tryna kick the curb (brr), but i'm so f*cked up off the mud (brr)īitch, you heard what shiesty said, don't play with us, we ain't 'em boys (boys)ĭeliver that ❲?❳ a nigga hit a family four(?) (yeah) I be with my fourth (brr), when i'm about to geeked up on these drugs (brr) Niggas causin' beef with me, three people (brr), yeah, he grabbed the valveīrazy, locked up, called his cuz (brr), show my lil' niggas some love (brr) Pour up wock' in the fanta, smokin' elbows and the owls (hour)īig shiesty for president, i told y'all that the world was ours (yeah) Talking with they automatic (ayy), gettin' head we love to do it (brr)Īnd flew to the hills right at the jacuzzi, neck to the shower (shower) Know we rep that murder gang (rrr), just run up and we gon' prove it (ah) The opps be wavin' guns up on the internet more than they use it I feel like tom cruise, on a movie, shiesty hop down, shootin' the uzi (brr) In the concrete, i'm a god, the hood pop out, i show my face (i do) We skipped this playdate yesterday (woah) ❲?❳ the dracos and the bullshit off, might hit the block today (woah) I ain't really wanna kill that boy, but he was really beggin' for it (brr, brr)Īnd it's time to slide again (yeah, slide), pop my bentley, i got in before (brr, force, ooh)Īnd i got your bitch on her knees, she ain't prayin' to the lord (lord, no, brr)īrr, brr, bitch, i got something to say (no) I'm in l.a., smokin' ❲?❳ (ayy), that shit got me paranoid (paranoid) (ayy), bitch, we spent a ten on just designer Once again, i'm locked in with tp, we finna make a hit (go)Īnd 'em niggas started way before, but (brr, brr), now they far behind us (keep 'em) Original text at /445281 ★ intro: foogiano & pooh shiesty ★īateman said its fine (brr), me and shiesty (brr), we f*cked up the line up (f*ck it up)ġ017, so icy (icy), and we shinin', it ain't hard to find us (big shiesty) Free-play: Explore the world and play as any of the bread types you have unlocked, having crumby fun in your own sweet time.By controlling each corner with a different stick or button you make your way around the kitchen and other rooms of the house. Zero-G: Literally bread in space! Make studious use of your bread boosters as you manoeuvre across environments with no gravity, avoiding all the floating hazards this entails in Zero-G mode. I Am Bread takes the malleable, real-world physics gameplay and applies it to a slice of bread.Rampage: Cause as much destruction as possible throughout the house as you smash everything in sight as (possibly) angry baguette.Bagel Race: Satisfy your taste for speed and bagels as you race across the checkpoints in each level and complete the tracks in the fastest possible time.Can you find all the pieces before you crack up? Cheese Hunt: Realise the destiny of crisp-bread as you hunt down pieces of cheese to smother yourself in.Story Mode: Embark on an epic journey to become toast! Take on all hazards to deliciousness as you embark on your adventure throughout the home of an unsuspecting owner: from the kitchen, through the house, to the lounge, and then venture outside into the garden and beyond.Starch Wars - Attack of the Scones! Take out the Empire's Rye Fighters in this level inspired by a certain beloved universe! Key features:. Team Fortress 2 level.climb Heavy’s face, use tumour-inducing teleporters, fire the minigun and traverse a floor filled with sticky mines, all in the name of becoming “‘sandvich”’….GoatBread - Goat Simulator-inspired level called ‘RAMpage mode’.Traversing your environment is intentionally demanding but reliable, making it possible to master even the most majestic and acrobatic of manoeuvres. Īs you become attuned to bread’s uniquely challenging control system, you’ll progress from a fumbling slice of bread to a masterful bread ninja. This bread will be boldly going where no other bread has gone before. We’re rye-ly pleased to let you know that at last, video game’s unlikeliest hero has climbed onto Xbox One I am Bread has sliced its way Facebook. It’s the moment you’ve all been wheating for. Take the intrepid, crumby adventurer on a journey from his natural confines of the kitchen, through the home of an unsuspecting owner and into the outside world. I am Bread - Now on Xbox One January 19th 2017 Oliver Hindle. We promise you won’t be disappointed.įrom the creators of Surgeon Simulator comes its prequel - an adventure with a hero like no other! ‘I Am Bread’ is the epic story of a slice of bread’s journey to become toast. Hey there people! Did you know that there’s more than one way to indulge your crumbly fantasies? Why not race a bagel around a living room as fast as you can. About This Game I Am Bread! Tons of Content! WebA fax cover sheet usually contains the sender’s details, including name, address, phone number, and fax number. 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Honess Roe pointed to the ambivalence of such an equation: on the one hand celebrating and validating the creative contribution of women’s independent animation coming from the margins, but simultaneously being attentive to the potentially less helpful ghettoising aspects of such a categorisation. Referring primarily to Paul Wells’ influential 1998 book Understanding Animation, Annabelle Honess Roe (University of Surrey) began the panel with a talk that questioned a tendency in animation studies to align women’s animation with feminism and experimental or unorthodox aesthetics, describing the ‘feminine aesthetic’ as ‘ inevitably political’ in its opposition to the male-dominated mainstream. The first panel, entitled ‘Women in film poetry and animation: feminist perspectives’ addressed issues related to the shifting place of women in the production and labour of film and experimental animation. Thomas’s reference to Animate Project’s self-description as an organisation that ‘works at the intersection of animation, film and art’ set the tone for the rest of the day’s broader interrogation and situating of experimental and expanded animation’s place within today’s multimedia landscape/ecology, if not the creative diversity and formal heterogeneity of the animated medium more broadly. His talk took the audience through a brief history of British experimental animation by way of the various organisations, sites and funding schemes that have afforded a range of artists the opportunities to produce experimental works in the UK since the 1960s. Thomas has been instrumental in the development of independent animation in the UK since he began working for the Arts Council England/Channel 4 Animate scheme in 1992. The conference began with a keynote from Gary Thomas, co-director of Animate Projects (with Abigail Addison). Hamlyn’s observation during the round table that culminated the day’s conversations regarding the difficulty of summarising developments in this elusive art form over the last fifty years therefore reflected the overarching ethos of the day, borne out in a number of the papers presented. Changing technologies and moving image art contexts have meant that contemporary experimental and expanded animation appears across multiple platforms, from cinemas, public sites, festivals and galleries to online and digital platforms. The Experimental & Expanded Animation conference offered a range of disciplinary and interdisciplinary approaches broader themes of the conference included feminist perspectives, posthumanist and new materialist approaches, intersections with science and technology, engagements with space and place, and experimental and expanded animation’s evolution over time. With many of the event’s speakers being practitioner/scholars, a particular focus on expanded animation practice allowed for insightful investigations into developments in animation performance, technological intervention and live ‘making’, drawing continuities between contemporary work and traditions of experimental animation and expanded cinema. Organised by Smith and Hamlyn themselves, the aims of the conference were to investigate “further into understandings of what experimental animation is and has been since Robert Russett and Cecile Starr defined it 1976.” The day’s talks mirrored the book’s desire to both pay a debt to foundational work within the critical study of experimental forms and also to plot a new set of possible pathways for their close interrogation. Vicky Smith and Nicky Hamlyn’s book, published in late 2018, was the catalyst for the one-day conference Experimental & Expanded Animation, which took place on February 13th at the University of the Creative Arts, Farnham. Over the last few years there has been a rise in the number of screenings, performances and academic publications related to the multifarious art form, including the recent edited collection Experimental and Expanded Animation: New Perspectives and Practices (2018) (Fig. 43 years after the publication of the first edition of Robert Russett and Cecile Starr’s seminal text Experimental Animation: An Illustrated Anthology, experimental animation seems to be finally experiencing a very welcome surge of public interest and critical attention. Later, as the Admin REST API was released, the upload feature was still missing. Rather, the upload feature was integrated into the Pro client. For some reason this feature did not survive the admin console rewrite a decade (?) ago.
Opportunities for TV and feature films come in, as well as a purchase offer from a wealthy investor. The sight of the parsnips making love so passionately brings people across the world to tears. The international fame that follows is almost too much. While our protagonist is reluctant, he eventually accepts. This apprentice suggests they share the parsnip online – hoping for internet fame and wealth. Eventually, he shows the parsnip(s) to his apprentice, a younger man. He also thinks about the position of the parsnips and how intense their lovemaking seems to be. In fact, he becomes somewhat obsessed with maintaining it in its current form. This captivates our protagonist and he wants to hide and protect his treasure. To be precise, it is two parsnips that look like they are making love. In Parsnips in Love, our protagonist, a farmer in Iran, finds a parsnip while out farming one day. This has been the most unusual short stories in the Prime Reading collection. I fell head over heels in love with the book covers in this collection and immediately followed their IG account over on my personal Instagram. With this one, we do have to praise the cover artist for the exceptional job they did on these illustrations. I’ve read three of the stories in The One series, and this was my favourite so far. As a team they work together to overcome one of the most traumatic events: experiencing problems with pregnancy after four months and Larami having to spend the next four months laying down in order to preserve the lives of her unborn twins. Larami is sensitive, clever and she seems to be a natural leader. I REALLY liked this writing approach and thought it really brought the story to life. The short story is divided into three parts, centered around three significant events in the couple’s lives, and each member of the couple contributes their view of what happened on the day in question. I would really recommend this one!Īn account of one heterosexual couple’s meetcute and a marriage day that didn’t turn out quite as planned. Though a difficult topic, the Serrano’s writing brings light and laughter, humility and grace to retelling what has got to have been one of the most traumatic events of their lifetimes. There should be something for everyone among these, including readers who love romance, non-fiction, sci-fi and thriller genres. Those listed here are my favourites from among the ones I’ve read so far. While these were all free for me to read, the retail cost is £0.99, so if one takes your fancy it might be worth taking a punt on one of these short stories. In my eyes, these Amazon exclusive short stories are perfect for reluctant readers, those with limited time on their hands, or those moments when you feel you want a bite-sized story (one you can gobble up on your lunch break… too far?). Regardless of that wider debate, I wanted to use this space to shine a light on some of the exceptional short stories that I was able to access via this service, in the hopes that you might benefit from a short read. I’m not here to explicitly promote Prime or Amazon (I have nothing to gain from doing so), nor enter the debate about its ethical practices but I will say that while I agree that capitalism is abhorrent, I do find the current discussion around boycotting Amazon very classist, ableist and US/UK centric. Alongside the announcement that Chimamanda Ngozi Adichie would soon be releasing a short story via Amazon, I learned that I had access to Prime Reading: a service that comes with an Amazon Prime membership and allows you to rent book titles to read on your kindle.Īs my local library is temporarily closed, and I suddenly had the unshifting desire to read exclusively on my kindle, this couldn’t have come around at a better time. Re-mix up to 16 of your photos at a time to create fun, personalized layouts, and collages.
Make sure both your devices are connected to the same frequency. Some Wi-Fi networks offer different connection bands, like a 5GHz or 2.4GHz band. Manage your subscriptions in Account Settings after purchase.Note: For the best experience, we recommend making sure your Android device and your PC are on the same Wi-Fi network and band. You will not be able to cancel the subscription once activated. Account will be charged for renewal within 24-hours prior to the end of the current period, and identify the cost of the renewal. Subscriptions are offered for either 1-month, and will automatically renew unless canceled at least 24 hours before the end of the current period. Payment will be charged to iTunes Account at confirmation of purchase. ・ Data Synchronization with your iPhone, iPad and Mac. ・Use a shared whiteboard for remote work: If you invite other users, you can make it easier to communicate and share ideas. ・Online brainstorming: If you invite team members to join, you can share and edit ideas together. ・Synchronize data (Pro version): Synchronize your data with your iPhone, iPad and Mac. ・Create frameworks: You can create and register your own unique frameworks. Also, you can instantly turn your ideas into cards from the home screen. ・Widget support (iOS): You can check the created card by placing it on the home screen. ・Supports text input by Apple Pencil (iPadOS): Currently supports English and Chinese ・Frameworks: Includes carefully selected high end templates for business professionals, covering everything from standard models like 3C analysis and SWOT analysis, to innovation theories like Blue Ocean Strategy and Business Model Canvas. ・Idea creation methods: Includes many different thinking techniques, such as SCAMPER and the Matrix Method. ・Structure freely: Links from cards to canvases can be created, so you can freely create structures between canvases. Try taking out a card you've already made from the card box and applying it to a project you're working on now. ・Reuse: Ideas are combinations of existing elements. ・Add pictures: Paste pictures that get your creative juices flowing onto your canvas. Use links to let you freely move to web pages. ・Use clippings from online browsing: Cut and paste from web pages onto canvases. ・Diagram creation: Both hand writing and text are supported. ・Brainstorming with AI (select regions only): Generate ideas using AI. ・Limitless canvas sizes: Canvases can be stretched into limitless sizes, so you can naturally expand upon your ideas. ・Create mind maps: Branches can be freely moved, allowing you to create more flexible mind maps. The iPad version also supports handwriting with Apple Pencil. You can easily create a mind map using keyboard shortcuts. ・Optimal for free form brainstorming: You can use cards to develop and structure your ideas. Ideal for anyone who needs to generate new ideas, from professionals such as entrepreneurs, project managers, consultants, marketers, advertisers, researchers, teachers, and writers, to students wishing to learn about creative thought processes. Use ThinkSpace in a variety of ways, for free-range brainstorming using handwritten sticky notes, arranging and managing ideas, mind mapping, diagram, generating ideas with different thinking methods and frameworks, online brainstorming, real-time shared whiteboards, and more. Its simple and intuitive interface integrates seamlessly with a wide variety of thinking methods.Its main features which include smooth handwritten sticky notes, editable unlimited size canvases, a variety of frameworks for generating ideas, and real-time sharing with cloud services, will all provide a powerful support for your creative processes. ThinkSpace is a powerful thinking tool designed to match the workflow of your creative thoughts. ―For All People and Organizations Requiring Creativity― The annual convention and tradeshow takes place May 1-4 at the Ernest N. will spotlight its innovation, expertise and refuse collection solutions designed to move the industry and customers forward at Waste Expo 2023. For more information, Truck and Manufacturing, Inc. The Metro Pak Plus is easy to operate, with great maneuverability, low cost and excellent delivery time. Reinforced design on tailgate side walls and pack and sweep panels means it will stand up to even the toughest wear and tear. And it’s quick, with a 24-second packing cycle and compaction ratio of 650-900 pounds per cubic yard. The Metro Pak Plus is available in 20 yd3, 17 yd3 and 14 yd3 capacities. Its compact body size is ideal for weight-restricted roadways, smaller routes and tighter areas. This tough truck caters to rural or condensed areas and helps fill fleet or route gaps. McNeilus unveils the lower cost, lower weight option of its reliable rear loader – the Metro Pak Plus. Packing a Powerful Punch in the Low Weight Class: Metro Pak Plus Full-eject body reduces chassis wear and simplifies operations, reducing exposure to hazards. The Zero Radius Automated Side Loader benefits from significant fuel savings thanks to load-sense hydraulics. This advanced refuse truck features Tailgate CNG, an easy-to-service, efficient system allows the truck to stand up to the demands of refuse collection. The side loader includes an integrated smart fuse panel, reduced hardware requirements, pre-trip reminders, status messages and more. These simplified CAN-based controls provide complete vehicle diagnostics. Other enhancements include the McNeilus CODE™ controls system. With optional 12-foot extended reach, it’s easy to navigate cul-de-sacs and obstructions such as parked cars. The arm reaches rather than swings out to grab 30-110 gallon cans. The Zero Radius Automated Side Loader offers an innovative radius operation allowing for clearance issues, narrow streets and alleyways. Nimble Navigator: McNeilus Zero Radius™ Automated Side LoaderĬartSeeker is included on the new Zero Radius™ Automated Side Loader, which features the largest hopper available of any side loader on the market and an extremely fast pack cycle. CartSeeker performs nearly perfectly in normal day time conditions. Simply stop the truck in front of the cart, which is automatically picked up, dumped and placed back on the ground. Carts can be open, closed or overflowing. With a 96 percent success rate, the system’s visual recognition corrects for color and size of carts, angles, differing backgrounds, lighting and weather implications and proximity to other carts. This helps with cycle times, training time, focus on safety, predictable scheduling and maintenance costs. McNeilus partner CartSeeker Curbside Automation developed AI-based cart recognition technology that identifies and locates curbside waste carts and fully automates the operation of the truck’s robotic lift arm without joystick manipulation. Our Metro Pak Plus Rear Loader and Zero Radius Automated Side Loader with CartSeeker Curbside Automation are prime examples of this,” said Matt McLeish, vice president of sales and marketing at McNeilus Truck and Manufacturing, “It’s yet another way we’re getting rid of the BS that gets in the way of keeping your business – and the trash industry – running.”ĪI All Star: CartSeeker Curbside Automation “As North America’s only factory-direct builder of garbage trucks, we are inspired by customer input and informed by industry trends to continually innovate our best-in-class trucks. McNeilus has partnered with industry-leading technology companies to infuse its trucks with innovations that help promote efficiency, longevity and safety while providing flexibility and cost management. The McNeilus Metro Pak Plus ®Rear Loader will be featured in the food and beverage pavilion. CartSeeker brings artificial intelligence to curbside waste collection, reducing costs by eight percent. The company is featuring the new Zero Radius™ Automated Side LoaderwithCartSeeker Curbside Automation in the McNeilus booth #1823. McNeilus Truck and Manufacturing, Inc debuts the very latest in its fleet of technology-forward, no-nonsense innovations at Waste Expo, June 28-30 at the Las Vegas Convention Center, Central Hall. |
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